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#1 NEW YORK TIMES BESTSELLER • ONE OF TIME MAGAZINE’S 100 BEST YA BOOKS OF ALL TIME • A NEW YORK TIMES READER TOP 100 PICK FOR BEST BOOKS OF THE 21ST CENTURY

The extraordinary, beloved novel about the ability of books to feed the soul even in the darkest of times.

When Death has a story to tell, you listen.

It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still.

Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement. 

In superbly crafted writing that burns with intensity, award-winning author Markus Zusak, author of I Am the Messenger, has given us one of the most enduring stories of our time.
 
“The kind of book that can be life-changing.” —The New York Times
 
“Deserves a place on the same shelf with The Diary of a Young Girl by Anne Frank.” —USA Today

DON’T MISS BRIDGE OF CLAY, MARKUS ZUSAK’S FIRST NOVEL SINCE THE BOOK THIEF.

From the Publisher

Publisher ‏ : ‎ Knopf Books for Young Readers; First Edition (September 11, 2007)
Language ‏ : ‎ English
Paperback ‏ : ‎ 608 pages
ISBN-10 ‏ : ‎ 0375842209
ISBN-13 ‏ : ‎ 978-0375842207
Reading age ‏ : ‎ 10+ years, from customers
Lexile measure ‏ : ‎ 730L
Item Weight ‏ : ‎ 2.31 pounds
Dimensions ‏ : ‎ 5.13 x 1.27 x 8 inches
Reviewer: Layla A
Rating: 5.0 out of 5 stars
Title: Awesome Read!
Review: THE BOOK THIEF has been on my shelf practically since it came out, but I kept putting it off and reading other things instead. Finally, last month, I decided to read it.My conclusion?*This is a beautiful book*A beautifully rendered story, interesting style, and unique voice. I love the unbridled audacity of writers who are brave enough to use odd and innovative styles to tell a story.Some view these new styles as too gimmicky, all show and no substance, that it’s the style rather than the story which is garnering attention.My litmus test is always whether the underlying story can stand on its own without the odd stylistic choice.THE NIGHT CIRCUS can’tGONE GIRL can’tTHE BOOK THIEF most certainly canIt’s the story of Liesel Meminger (a character destined to go down as a classic, on par with Mary Lennox, the Darlings, and the Pevensies) in Nazi-era Munich. Liesel’s mother is giving her up, along with her younger brother who doesn’t survive the journey, to the Hubermanns, a husband and wife living on Himmel Street. He is a painter, she washes clothes and swears at people. Liesel bonds with her new papa immediately. Her new mother, though rough, treats her well and genuinely cares for her.We meet Rudy, Liesel’s spunky best friend, a runner with flaxen hair who gets in trouble with her, protects her and loves her.We meet the Nazi youths and witness the casual xenophobia and cruelty of the era from the eyes of a little girl.We witness a gut-wrenching scene of book burning, particularly for our little book thief.*NOTICE HOW I HAVEN’T MENTIONED THE USP YET?*It’s because the story is strong enough on its own and doesn’t need the unique selling point of Death as Narrator.As I’m sure you’re aware, the story is narrated by Death. He’s an apt choice given the horrific war in which the story is set. Death is by turns perplexed, sympathetic, apathetic, and complimentary of humans. He claims to be haunted by humans at times and seems to have been inordinately interested in Liesel and her family.He is a fully omniscient narrator, knowing the past, present , and future of the characters. He can also see into them, their thoughts, motives, and inner lives, and he uses this knowledge to tease and hook the reader, telling us key future events throughout the story.THE GOOD:There’s a lot to praise here, but to name a few:Liesel is a great protagonist. Believable and real. She has a streak of meanness in her that makes her very real.The characters are deftly drawn across the board. Papa is a great, warm, eminently likable person. Rudy is awesome and makes a great sidekick for Liesel. Even the mayors wife and Frau Heil Hitler are well-rounded.There is some beautiful prose here. One passage that caught my eye:"Trust me though, the words were on the way, and when they arrived, Liesel would hold them in her hands like the clouds, and she would wring them out like the rain."There are some wondrously imaginative and moving passages. Not to spoil anything, but I especially loved the bit where Max ‘transforms’ the book for Liesel. Stunning.THE BAD:Not much to bemoan, but I didn’t care for:The constant translating from German to English. I felt like most of it could be understood from context.The way it was formatted: constant paragraph breaks, centered and bold test was repetitive and began to annoy me after a while.But other than those two minor gripes, which have nothing to do with content, I think this is a great book and one I will be rereading over the years.

Reviewer: Jana L.Perskie
Rating: 5.0 out of 5 stars
Title: A Masterpiece - One of the best novels I have ever read!!
Review: "The Book Thief " is one of the best novels I have read. Truly! Author Markus Zusak's storyline is both sad and wonderful, as it deals with Germany during WWII and the Holocaust. His memorable characters have tremendous depth, and the plot is extremely original. However, what makes this book so extraordinary is the author's writing, which, at times, is more poetry than prose. I frequently found myself reading passages of the elegantly written narrative aloud.Appropriately for the times, Death is our narrator and a major character. Death, the "gatherer of souls," writes of himself, "I do not carry a sickle or scythe. I only wear a hooded black robe when it's cold. And I don't have those skull-like facial features you seem to enjoy pinning on me from a distance. You want to know what I really look like? I'll help you out. Find yourself a mirror while I continue." In the Prologue, Death states, "Here is a small fact: you are going to die. Does that worry you? I urge you - don't be afraid. I'm nothing if not fair." The figure describes himself as amiable, even affable, but warns, "don't ask me to be nice. 'Nice' has nothing to do with me.'"When the novel begins, Death is gearing up for mass production. It is 1939 and WWII has just begun. By 1945 the entire world will be at war. And it is Death who comments on man's inhumanity to mad, almost without emotion, in as objective a manner as possible. This inhumanity will cause it/him to work 24/7 in various places in the world at once. That's what I call multi-tasking.Nine year-old Liesel Meminger is our protagonist, "the book thief," although when we meet her, she is unschooled and cannot read very well. Liesel, her little brother Werner, and their mother are on a train to Munich. All three are skinny and pale, with sores on their lips. It is on the train that Death comes to claim young Werner's soul. Liesel and her mother despair. The boy is buried near the city, and one of the gravediggers, an apprentice, drops a black book as he walks away in the freezing winter weather. Liesel picks up the book, without calling out to notify the gravedigger of his loss. The book is titled, in silver letters, "The Gravedigger's Handbook." It is the first book she steals. So much has been taken from her, the grieving child feels like she settles part of the score when she commits the theft. In Munich the girl's mother bids her good-bye and turns her over to a foster care woman. The mother disappears, never to be seen again.Liesel and the woman make their way to a small town, Molching, on the outskirts of Munich, close to the Dachau death camp. They stop at a small house on Himmel Street, where her new foster parents, Hans and Rosa Hubermann, await the little girl. Hans is a kind and loving man who quickly takes to Liesel and visa versa. Rosa is also basically kind, although she puts up a front as a shrewish loudmouth. She is a laundress by trade and Hans is a house painter who loves to play the accordion. He is not a member of the Nazi Party. When he realizes he is losing customers because of his lack of enthusiasm for Hitler and the Nazis, he tries to join but his papers are on permanent hold. Their two children are grown and live away from home.Liesel has terrible nightmares and occasionally wets the bed. Hans, hearing her late night screams, sits with her and comforts her, sometimes until dawn. Occasionally he plays the accordion for her until Rosa yells at him to "shut up!" The empathetic, kindly man and the traumatized little girl form a close bond and Hans begins to teach Liesel to read, especially as she is fascinated by words. She believes that words have great power, after all, Hitler didn't need guns to persuade the German people to follow him and to hate Jews. He used words.When she begins school and the teacher realizes that the girl can't read, she is placed in a class with younger children. Most humiliating! It is during one of Liesel's frequent nightmares, that Hans begins to teach her to read. Since the Hubers have no books of their own, Hans uses Liesel's "The Gravedigger's Handbook." as a teaching tool. Then another book, a copy of "Mein Kampf," is acquired, one of the few available books which have not been burned. And yet another book, "The Shoulder Shrug." which Liesel snatches from a pile of burning books, is added to her collection. "Germans loved to burn things. Shops, synagogues, Reichstags, houses, personal items, books and of course, people."Eventually, Liesel acclimates to her new home and makes friends, especially with Rudy, the boy next door and her biggest fan. She never overcomes her nightmares, however, nor does she ever forget her mother and brother. It is at this time when she is forced to join Hitler Youth.Then Max Vandenberg, a German Jew in hiding, comes to ask Hans to fulfill a promise he made to his father, a comrade in arms who saved Hans' life during WWI. A Jew seeking refuge...what to do? Hans, an honorable man, feels obligated to keep his promise, even though it would mean death for Rosa and himself if Max were discovered in their home. Liesel is sworn to secrecy. The Hubers take the man in and set up living quarters for him in the basement. Max becomes part of the family and forms a close friendship with Liesel. She becomes his eyes and ears to the outside world. He eventually writes a book for her, "The Standover Man" - a simple, illustrated and haunting book about what it is like to be born Jewish in Hitler's Germany.Life goes on. Liesel learns to read and steals more books - fourteen in all. She and her friends adventure. Germany declares war on Russia. Death's work increases, especially on the eastern front and in the concentration camps. He/it feels overwhelmed by the souls to collect from the camps, gas chambers, battlefields, and causalities from air-raid bombings. Max begins to do crossword puzzles in the old newspapers Liesel occasionally finds for him. Rosa's and Han's workload diminishes significantly. Times are tough, rationing is strict, and people don't have money to send out their laundry or to have their houses painted. And, of course, Hans carries the stigma of not belonging to the Party. I don't want to include any spoilers, so I will stop my summary here.This is a powerful novel that kept me riveted throughout. As I wrote above, I sometimes stopped to read parts of the prose aloud. There is humor here also. One needs comic relief when reading a novel about such a heinous period in mankind's history.Markus Zusak's parents grew up in Nazi Germany and Austria. He frequently thought of writing about the things his parents had seen during the war. He says he thought about the "importance of words in that time, and what they were able to make people believe and do."The novel's last words belong to Death: "A LAST NOTE FROM YOUR NARRATOR: I am haunted by humans."Jana Perskie

Reviewer: Cliente Amazon
Rating: 5.0 out of 5 stars
Title:
Review: Livro lindo! O livro por si só é muito bonito!

Reviewer: Amazon Customer
Rating: 5.0 out of 5 stars
Title:
Review: Not even done the book but I absolutely love it. If you love deep novels with a poetic twist this is your book. The book is narrated by death itself and it is so creatively written. Very unique and a real page turner. For those who watched the movie, I watched the movie a few years ago and didn’t realize it was the same story until about a quarter of the way through the book. So, if you weren’t overly impressed by the movie that says nothing about the book. Enjoy... highly recommend to everyone. Teens too.

Reviewer: Mathieu Serres
Rating: 5.0 out of 5 stars
Title:
Review: A journey that will bring you joy and sadness! A perspective that you don't expect but you will love it! I strongly recommend, it's a book full of emotions!

Reviewer: Ray Flores
Rating: 5.0 out of 5 stars
Title:
Review: This is the second time I read this book, and I still cannot get over it. Zusak’s style is unique and from the very first chapter, you’re drowned to the story, until you find yourself at the end of the book, with a big hole in your chest, proof of your heartache and the bittersweet taste of your tears.As an historical fiction book set in the WWII, you know there are going to be some hardships through the pages. But, the beauty of this book in particular, is the fact that is narrated by the Death itself. This character is only doing its job, taking the lives of countless people during the war, but it confesses that there have been quite a few ones that it still remembers. The Book Thief is among them.Liesel Meminger is a girl that when we first know her, she’s living a nightmare. She sees her younger brother die, and it’s separated from her mother, and placed into a foster family, that would become her entire world. Hans and Rosa are her parents, and even though Frau Hubermann is not the kind of woman that is all hugs and pretty words, she does take care of Liesel the best way she can.Hans becomes her papa and the most important figure she will have. He is my favorite character not only because he is a kind man, but because he always stands tall even when he knows he can’t do much for others. He knew the Nazi Germany was just wrong. His silver eyes, his empathic personality, his beautiful soul, his accordion and his way of smiling has stayed with me, after so many years. This is surprising, really.Max and Rudy were also my favorite characters. Max was kind of a big brother to Liesel, and they both found the strength to keep going, even when all hope was lost. Rudy was the kind of boy you can’t help but love. He was witty, playful and charming –a character that I still remember with a smile.On the other hand, and to be quite honest, I have never understood war. I’ll never support the idea of bigotry, racism, and pure hatred as main reasons to kill somebody else, someone innocent who was just at the wrong place, and the wrong time. Over 6 million Jews were killed out of hate. Six million. To think that a war was the perfect excuse to murder people is just beyond my words.Truthfully, this book always makes me cry, but it’s the kind of hurt you can’t help but love. It always amazes me that humans are capable of both love and hatred at the same time. We can find our true family among strangers; but we also have to deal with unreasonable people that are eager to get into conflict. We have both light and dark inside us, and that’s just a fact.I want to add that kind people are often seen as naïve and even stupid, but we often forget that they’re the ones that make us believe that everything is going to get better. They give us hope like some superhero would do.Last but not least, I think this book is meant to be read by teenagers, but as an adult, you can also enjoy it. Like I said, Zusak has a unique style that makes you care about these characters and their stories.I totally recommend you to read this. I promise you, you’ll enjoy it!

Reviewer: Lynnie
Rating: 5.0 out of 5 stars
Title:
Review: Ich habe neulich den Film im TV gesehen, leider nur die letzte Hälfte. Tage später fand ich den Film(deutschsprachig) auf Youtube als im Bildmodus eingeschränkte Variante. Der Film, die Story, die Personen haben mich fasziniert, tief berührt.Auf AMAZON gibt es unter verschiedenen Buchausgaben einen "Klick-ins-Buch". Eine Variante war sehr umfangreich. Man konnte hier fast das ganze Buch online lesen(GER). Etwas unkomfortabel vielleicht, aber immerhin. Und ich habe gelesen, gebangt, gezittert, gehofft...und mich über das recht abrupte Ende dann etwas gewundert.Aber es geht ja eigentlich um eine Beispielerzählung aus der Zeit des Nationalsozialismus. Sie ist fiktiv, dennoch könnte jede der auftauchenden Figuren tatsächlich genau in dieser Form wirklich gelebt haben. Das war einzigartig. Die Dichotomie des Denkens und Handelns der Menschen in dieser dunklen Epoche und die schonungslosen (wenigen) beschreibung der Kriegsszenen - Heartbreaking.Zum Inhalt der Story, der Personen ansich, möchte ich hier nichts mehr sagen. Andere Rezensionen liefern ausführliche Buchkritiken und Einschätzungen auf nahezu professionellem Niveau.Die englische Variante habe ich bestellt, weil ich das Buch im original Text noch einmal erleben wollte. Vielleicht auch, um noch tiefer in die Dialoge und Handlung eintauchen zu können. Das wäre vielleicht nicht nötig gewesen, denn schon die deutsche Übersetzung ist sehr perfekt und gefühlvoll. Die deutschen Wörter, die im englischen Text erwähnt werden um die Story "deutscher" erscheinen zu lassen, passen nicht ganz zur Sprache. Da hätte es wohl auch eine entsprechende ENG-Wortalternative gegeben. Also besonders beim viel zitierten und bemängeltem "Saukerl, ect..." "Dumbass", wäre für den englischen Leser wohl naheliegender gewesen.554 Seiten, manchmal auch hier mit Längen, owohl die englische Sprache das nicht so sehr fühlen lässt. Jede Szene wird mit im Fettdruck hervorgehoben Einführungen eingeleitet, die erahnen lassen, um was es auf den folgenden Seiten gehen wird.Manche Leser kritisierten das. Aber wer den Film zuerst gesehen hat, den werden diese Hinweise nicht stören, die Story ist schliesslich bekannt. Und die Erzählweise des Todes ist im Film wie im Buch; hier jedoch sehr viel ausführlicher. Manche Vorkommnisse im Buch tauchen im Film logischerweise nicht auf, es hätte den Umfang des Filmes gesprengt. Umso besser, dass man sie hier im Buch finden kann. Die Gestalt des Max kommt leider auch im Buch etwas zu kurz, vor allem zum Schluss.Im Buch sind einige Cartoon-artige Skizzen eingefügt, die in der deutschen Variante als Fotos aus dem Film besser gelungen sind. Ich hatte gehofft, diese auch hier zu finden. Z.B. die beschriebenen, durch die weisse Farbe durchschimmernden Texte in dem Buch, welches Liesel von Max bekommt.In dem vorliegenen Buch, hätte man auf die kryptischen Cartoons besser verzichtet.(Siehe Foto)Aber die Story, die geschichtlichen und politischen Hintergründe, die ein Schulkind dieser Zeit kaum begreifen, geschweige denn verstehen kann, werden bedrückend und schonungslos genannt. Das ist wichtig.Der Gesamte Wahnsinn dieser Zeit, die sich Dank der deutschen AfD, österreichischen FPÖ, Salvini und DiMaio(ITA) und den rechtsgerichteten ehem. EU-Ostblock-Staaten gerade zu wiederholen scheint, erklärt einerseits warum die Menschen damals so verblendet waren und andererseits, warum sie teilweise gar nicht anders handeln konnten, als die Personen im Buch/Film.Ich werde das Buch meiner Tochter in 2 Jahren zum Lesen geben. Ihre Sprachkenntnisse werden dann ausreichen um die Situation der Generation ihrer Ur-Grosseltern kennen zulernen.Unbedingt lesenswert für alle, die andere einschlägige Bücher, wie "Das Tagebuch der Anne Frank", "Der Junge im gestreifeten Pyjama", oder "Das Jahr der Wölfe" bereits kennen.