2024 the best times movie review

Price: $27.77
(as of Dec 15, 2024 09:35:13 UTC - Details)

Aspect Ratio ‏ : ‎ 2.35:1
Product Dimensions ‏ : ‎ 11.81 x 3.94 x 7.87 inches; 5.64 ounces
Item model number ‏ : ‎ BTFDREEM
Subtitles: ‏ : ‎ English, Japanese
Language ‏ : ‎ English (Dolby Digital 5.1)
ASIN ‏ : ‎ B07XVP87DV
Number of discs ‏ : ‎ 4
Reviewer: Amazon Customer
Rating: 5.0 out of 5 stars
Title: Love it
Review: I have to say that the new Blu-ray box was worth the wait. The opportunity to see the older Indy adventures in HD at long last certainly justifies the upgraded price.VIDEO QUALITY:Raiders of the Lost Ark (1981)Score: 4.5/5Replace the original production year of 1981 with 2012, show the Blu-ray, and those not in-the-know would not be any the wiser. Raiders of the Lost Ark looks like a brand-new movie. The frame-by-frame restoration is nothing short of a minor miracle for film fans and, if there was ever a list compiled of movies deserving -- demanding, even -- of the purest, most precise restoration possible, Raiders would be amongst them. The restoration, and its presentation on Blu-ray, does wonders for the film. Those who grew up watching it on television or on VHS in particular will be in for a treat, and even fans who purchased the DVD trilogy set from a few years back will instantly recognize the gargantuan improvement in picture quality. The movie plays even better with a clear, well-defined picture. Seeing it big and seeing it with this much attention to detail and with such a pure film-like picture quality is nearly akin to seeing it for the first time. The movie begins with arguably its weakest visual sequence. The adventurers traverse through dense jungle defined by bright green foliage and dark, sometimes overwhelmingly so, shadows. Blacks fluctuate a bit, appearing a bit too overpowering in some places and a touch too gray in others, but the push towards either side is minimal. Low-light detail isn't extraordinary, but the image is crisp and accurate, despite some soft-focus shots. Errant noise is introduced into a few shots. The cave interior offers some fabulous textures as seen on stone floors and walls, natural woods, and the crisp lines of the idol itself. The subsequent chase scene -- Indy running from the Hovitos -- reveals the film's brightest and most well-defined shots yet; the clarity and colors dazzle, and the crispness and definition of grasses, leaves, and even the plane will startle longtime viewers. The following stateside classroom scenes offer naturally warm and well-defined woods and a stability and evenness to the image that breathes new life into the film's calmest stretch and one of its most critical establishing sections.It's when the movie begins its second act and the action shifts to Cairo that things truly begin to dazzle. The transfer is at its absolute demo-worthy best as Indy runs through the city, trying to rescue Marion before she's placed in the truck packed with explosives. The intricate detailing on the earthen colored façades, the sandy terrain, the wicker baskets, and the dusty clothes is nothing short of mesmerizing. Every last finite element is brought to dazzling life with the sort of clarity and perfect resolution usually reserved for the newest and finest Blu-ray titles. Colors are every bit as impressive. The aqua-colored doors and various shades of tan and white dazzle in their natural accuracy. The image springs to life like never before, or at least not since its theatrical screenings. The interior of the map room is equally stunning; close-ups in those shots of Indy dusting off the floor reveal every last grain of sand with a breathtaking tactile appearance, not to mention the rough stone work revealed underneath. The darkened Well of Souls location reveals wonderful shadow detail and stability, and the final sequence displays all of the gory after-effects of the Ark's opening with face-melting and head-exploding precision. It's a breathtaking transfer that will leave fans with a permanent smile and eager to watch it again. The downsides are few. There's the occasional white speckle, infrequent but present and most readily evident in the film's early classroom sequence (with the "Love You" girl). There's also a fingerprint-like smudge visible on the Cairo sky around the 58-minute mark, seen at the top of the screen and just center-left of the middle of the screen. Still, despite a few minor hiccups, this is Raiders of the Lost Ark as it was meant to be seen and one of the finest catalogue Blu-ray transfers on the market.The Temple of Doom (1984)Score: 4.5/5The Temple of Doom looks just as good as Raiders of the Lost Ark. It's a warmer picture, with reddish flesh tones and a whole lot of fiery highlights in its second half. Red is definitely the predominant color throughout -- from Willie's ornate red dress and Indy's red lapel flower in Shanghai to the hellish depths of Pankot -- and it can be a bit bold, but the color palette in total is quite impressive, from the yellow raft to the blue turban riflemen seen at film's end. The palace's rich red and gold adornments and the mine's steamy blacks and grays are represented with pure, accurate shading. Black levels are rock-solid, too, critical down in the lower depths and darker realms and bug-infested rooms that are so prominent in the film's second half. Detail is striking. From the beginning during Indy's lounge confrontation with Lao Che and on through to the final action scene on the bridge with Mola Ram, the image offers dazzling clothing and facial textures that reveal every skin crease, bead of sweat, and clothing stitch with pinpoint precision. The decorative palace dazzles, the bugs appear sharply defined and are as shapely and creepy as ever, and the underground chambers offer refined and natural shapes. The film's best scene comes at the end during the battle on the bridge. The worn-down wood and frayed rope textures are absolutely striking, never mind the sweaty and filthy and tattered clothes worn by a tired and banged-up archaeologist. The image enjoys a light but critical grain structure that provides the finishing touches to a superb film-like image. Transfers like this are why Blu-ray was made!The Last Crusade (1989)Score: 5/5Just as The Last Crusade might be the best movie of the bunch, its 1080p video transfer may be the finest in the collection. It's an extraordinary example of an older film appearing on Blu-ray with the looks of a brand-new movie. There's nary a flaw to be found, save for another random smudge or two (and these are verified on two televisions), most evident at the 5:15 mark, seen on a blue sky in a shot of young Indy about to jump down on his horse. Otherwise, this one's flawless. It's sharp and extraordinarily crisp, with every element supremely defined, from the rocky Utah mountains to the cobweb-infested final resting place of the Holy Grail. Those rocky textures are striking to say the least, complexly detailed even at a distance and with such precision and that viewers can nearly feel the rough surface just by looking at it. Clarity is so precise, in fact, that even close-ups of the Grail diary are easily read, and the introduction of the half-piece of the stone tablet offers startling detail across its well-worn surface. From the streets of Venice to the shadowy underground chamber located beneath the church-turned-library where "X" actually does mark the spot, from within the airship over Germany to the sandy beaches below, there's not a detail that's not brilliantly captured and beautifully displayed. Colors are equally brilliant, appearing even and accurate from the lightest earthen hues to brightest of red Nazi flags and armbands. Black levels are wonderful and flesh tones are even. The image is solidified by a steady layer of grain that puts the finishing touches on one of the best-looking Blu-ray releases ever, catalogue or otherwise.The Kingdom of the Crystal Skull (2008)Score: 4.5/5Once again, Indy shines on Blu-ray. This time, the results are not at all surprising. It's the newest picture in the set by nearly twenty years and the only one with a previously released Blu-ray to its credit. As expected, the image dazzles. Not one of the previous three films yield an overpowering grain structure, but all three are a bit more obvious to the eye than the one in The Crystal Skull. The film's grain is fine to say the least, and the picture has a slightly smoother, sometimes overly bright and nearly blown-out sheen about it, but there's no evidence of harmful scrubbing. Details are extraordinary throughout the film, revealing the most complex textures this side of The Last Crusade. Facial textures are nothing short of fantastic, whether Indy's weathered and worn mug or Spalko's ultra-smooth skin that by design reveals not a single line or pore. The image is crisp and so well defined that some shots are just starling in their stability and natural accuracy, from the warm wooden accents within Marshall college to the dense jungles of Peru. It's during a truck chase in the latter that the film finds its single-best scene. Beat-up trucks, complex vegetation, and all of the dusty clothing details come together for a sparkling sequence that produces some of the finest film-like textures in the entire series. Colors are equally brilliant. Whether those rich green leaves or the pastel rainbow that defines the homes and accents around the nuclear family test town, the transfer handles each and every shade with striking realism. Even red and yellow ketchup bottles appear so natural that viewers might be momentarily mistaken into believing they're in a retro diner with Mutt and Indy and not in the comforts of the ultra-modern home theater. Black levels are superb and skin tones largely natural, though sometimes slightly pushing towards a gentle red or orange shading. This ranks right up there with the rest of the Indy Blu-ray presentations in terms of raw visual excellence. It's a somewhat different sort of look to be sure but certainly no less impressive.AUDIO QUALITY:Raiders of the Lost Ark (1981)Score: 5/5Raiders of the Lost Ark has never sounded so good. Paramount's DTS-HD Master Audio 5.1 lossless soundtrack dazzles with every explosion, all the supporting sound effects, and of course each note of John Williams' acclaimed, classic, and instantly recognizable main theme. Right from the get-go -- the Paramount logo that dissolves into a similar-looking Peruvian mountain -- the track introduces deep bass notes into the soundstage that are potent but not unnaturally so, strong enough to give a good, steady shake but not tear the theater's foundation apart. The audience is simultaneously immersed into the jungle environment; striking ambience gently surrounds the listener, and the cacophony is made complete with the precise inclusion of Williams' opening notes that are both foreboding and fun. Bass continues its even and natural assault as the temple collapses and the boulder rolls through the soundstage, all but destroying the couch and television in its path. As Indy, Jock, and Reggie soar into the sky in escape, so too does Williams' music soar, playing clearly, crisply, loudly, evenly, and with positive surround support. The roar of the engine is heard and felt as the plane carrying Indy to Nepal takes off, and the gunfire inside Marion's bar that follows explodes into the stage; automatic weapons chatter erupts from all over the listening area and Indy's pistol shots boom with heavy authority. In Cairo, the track continues with its excellence, immersing the listening audience into the environment and providing clear and potent explosions and gunfire. Even subtleties such as gently blowing wind chimes heard when Indy and Sallah take the headpiece to be translated will amaze audiences with the lifelike sound. Action scenes, even under blaring music and heavy effects, manage to incorporate pinpoint sound elements. A squeaky door hinge during the truck chase sequence sounds so real that listeners might turn their heads to see who's opening the door to the home theater. The swirling spirits and gusty winds at film's end penetrate the listening area with frightening accuracy. Dialogue is even and never lost under surrounding music or effects, though there are a few quieter moments where it could benefit from an uptick in volume, such as the scene in which Indy and Marcus meet with Army Intelligence in the college lecture hall. Overall, this is one impressive soundtrack, a complete and wholly satisfying listening experience from start to finish. Like the video, it's as if it were recorded yesterday. This is movie buff and Blu-ray audio heaven rolled into one.The Temple of Doom (1984)Score: 5/5The Temple of Doom roasts sound systems with a superb DTS-HD Master Audio 5.1 lossless soundtrack. Once again, music startles with its clarity and precise spacing. It spreads evenly and with tremendous room-filling balance, including a healthy and seamless surround sound integration. Williams' score is the sonic highlight in a movie with a number of wonderful sound elements, beginning with a precise and smooth dance number. Willie's vocals aren't piercing or intrusively sharp but rather lifelike. Her singing subtly and effectively drifts off to the side when she moves towards the right side of the soundstage (from the audience's perspective), but the effect is short-lived and the vocals remain naturally focused in the center. The ensuing chaos is nicely delivered, with plenty of fast-moving sonic niceties filling the stage but doing so with a natural presence that places the listening audience in the middle of the night club. When the heroes escape, Lao Che's plane whirs across the stage with good power, and the coming crash and sonic assault that sees Indy and company slide down a mountainside on an inflatable raft is met with loud but balanced and seamless power. Village exteriors and a nighttime camping scene offer fabulous natural ambience, the kind that effortlessly encircles the audience and perfectly recreates the natural sounds of life. Paramount's track handles the heaviest final act action moments with the precision listeners demand. The clanking around the mining site is true, and the sense of power delivered by both the rushing water and the shrieking, rattly ride through the mine's cart system places listeners in the midst of the underground action. It's a demo-worthy stretch that throws a whole lot of sound at the audience but does so with clarity even through the most challenging sound elements. Rounded into shape by pitch-perfect dialogue reproduction, The Temple of Doom's lossless soundtrack comes through in every scene.The Last Crusade (1989)Score: 5/5It might feel like old hat to read the same sort sorts of insights into these audio tracks, but one will likely never grow tired of listening to them. In short, this is another rip-roaring, all-in, completely satisfying DTS-HD Master Audio 5.1 soundtrack. It's every bit as good as both Raiders and Temple in its fullness, spacing, bass, and clarity. Musical delivery is typically stunning, whether fast-paced action notes or more gentle dramatic elements. Spacing is true, the surrounds are used to marvelous effect, and the clarity of every note through the entire range is perfect. The Action scenes tell the same kind of story. Every moment is energized and precise, whether something as simple as a galloping horse across a pebbly Utah terrain or bursts of automatic weapons fire all but tearing the listening area to shreds. The heaviest elements -- waves crashing and rain pouring and thunder booming in a nighttime, ship-top fight sequence early in the film -- offer unbeatable clarity and precision even through the most potent and sonically intense assault in the movie. Later, a raging fire engulfs the listening area, planes zip from one speaker to the next, and an artillery shell zooms across the stage and impacts in the rear with nearly frightening accuracy, never mind the low end sensation that is the impact and explosion. A single gunshot near film's end that puts a bullet in one of the characters bangs with effortless power and reverberates through the cavernous locale for some time, yielding a believable lifelike effect. Gentle ambience defines many of the quieter scenes and always plays seamlessly and clearly, placing the listeners in each of the film's numerous locations. Lastly, dialogue is true and pure, delivered faultlessly from the center. The Last Crusade, considering the quality of the film and its amazing video and audio presentations, just may be the year's reference catalogue title.The Kingdom of the Crystal Skull (2008)Score: 5/5This has been a set of revelatory audio. The Kingdom of the Crystal Skull's soundtrack is just as good, but not at all unexpectedly so. It's made the switch to DTS-HD Master Audio 5.1 lossless from the 5.1 Dolby TrueHD track from the film's original Blu-ray release. Both are expert sound presentations. As with the other films, this DTS track absolutely dazzles from the opening shot to the end credits with its impressive, immersive, and infallible sound presentation. Music is one again brilliantly reproduced, with crisp, detailed notes through the entire range and a pleasing low end that's the right balance between "strong" and "overpowering." Music drifts to the sides and into the backs with a natural flow that effortlessly envelops the listening audience with John Williams' wonderful score. Gunfire is rhythmic and strong, from the opening barrage of automatic weapons fire at the military checkpoint that sounds and feels like it's ripping through the stage from front to back and on through to the rattling and ricocheting of the various shots heard during the jungle chase sequence. Even the whooshing sound of a rocket-propelled grenade ripping through the listening area will leave listeners slowly getting back off of the floor from in front of or behind the couch, having taken cover from the incoming explosive. In the nuclear test town, an alarm klaxon blares in the distance with great strength and sonic foreboding. The nuclear blast itself isn't quite as rumbly and potent as some listeners might expect -- it's more about strong winds than it is sheer force and bass -- but the cumulative effect will leave listeners all but feeling the heat and the blast's concussive power. The track does find plenty of energy in the triple water fall scene, where the crashing liquid surrounds the stage and delivers so much power that the neighbors won't fall back asleep for a week. Even better, the clarity of the moment is unbeatable; it's not just a barrage of sound but a barrage of accurate sound. Even the more subtle effects impress in placement, spacing, and movement. Floating gunpowder (it makes sense in the movie) flies from one speaker to the next with seamless precision. Lifelike ambient effects surround the viewer, whether the din of a hectic crowd of teenagers waiting to visit with Dr. Jones or the cacophony of Peruvian wildlife heard in various exterior scenes. It's a wonderful track, and with its pitch-perfect dialogue reproduction, it's at the very least as good as the rest of the Indy listens, if not the best and most finely detailed of the bunch.

Reviewer: Bryce
Rating: 5.0 out of 5 stars
Title: Movies
Review: The best movies

Reviewer: Suebyou
Rating: 5.0 out of 5 stars
Title: Good quality videos
Review: This is a nice compact set in a fun book format. The cinematography of these films is so amazing and the quality of these DVDs is possibly better than I remember. Haven’t looked at any of the "extras" yet.

Reviewer: Buzz
Rating: 5.0 out of 5 stars
Title: Good set
Review: Great set if you love Indiana Jones

Reviewer: Steven
Rating: 5.0 out of 5 stars
Title: Good set to add to my collection
Review: Glad to add this set to my collection.

Reviewer: Just Me
Rating: 5.0 out of 5 stars
Title: Classics from childhood
Review: I plan on watching theses again and again. I did my hard copies. Where did they go? Anyway, best type of summertime popcorn flicks ever. Great everything. Oscar eating popcorn, nothing better.

Reviewer: Mike Kuhlman
Rating: 4.0 out of 5 stars
Title: ALMOST perfect...
Review: Anyone who knows Indiana Jones already knows the plots of these films, so I won't pontificate on those details, and will get right to the transfers:The Picture (Raiders):The picture is very sharp, and the dark scenes show exceptionally deep shadow areas and rich colors, especially in the Ravenwood bar, which looks absolutely gorgeous, even more real than I remember it looking in cinemas, but I'm saddened to see that the highlights in the bright outdoor daylight scenes are largely blown out, white, gone.This is either a problem with the transfer, or, and I hope not, the source, the original film negative. If the latter, it's so sad to see a great film like Raiders fade over time. If the former, we'll have to wait for yet another transfer. If I remember correctly, Lowry Digital Studios did the restorations for DVD back in 2003. I'm guessing the 2012 archivists, at Lowry or another facility, didn't use that old Lowry transfer for blu-ray because it was a much lower res scan than the 4k scan done here.The transfer of Raiders also carries with it what another reviewer described as an "orange teal"; that is, everything is colored in a kind of warm, golden amber yellow-orange tint. This is great in the Raven bar and in the Idol's temple when Indy is bathed in the shaft of light emanating from the golden Idol itself, but, in other scenes, like the thunderstorm in the desert at night when the Arabs are uncovering the Well of Souls, the scene should be more blue, and is instead, in the amber tint of this transfer, kind of a neutral gray.Compared to Temple, Crusade and even Crystal Skull, which look gorgeous, true to their big-screen incarnations, sadly, Raiders is a pale digital facsimile of the original film. This transfer could have and should have looked so much deeper and richer, with black as black, with its highlights preserved, with its proper color pallette. Movies should be honored as time capsules and merely restored to how they looked in the time they were made, not digitally "enhanced", "updated" to today's aesthetic tastes. There has to be some technical standard, a reference point for what a film looked like at the time of its release. The transfer and restoration artists ALMOST got this transfer right, but, sadly, they didn't honor the look of the original film and instead did a "digital revision". If director Steven Spielberg himself signed off on, approved this transfer, he either didn't view it on a correctly calibrated monitor, he was too busy on other projects to really feast his eyes on it, or he's going senile.Considering that Raiders of the Lost Ark is my favorite, and, arguably, the best movie in the whole Indiana Jones series, this transfer is a bit disheartening and disappointing, to say the least. To some of you who weren't born yet in 1981 when Raiders was originally released in cinemas, so you never got to see it on the big screen, and thus you have no reference for what Raiders is supposed to look like, you'll enjoy it just fine.If you already own the DVD of Raiders, hold onto it, as it is, minus the standard-definition limitations of DVD, closer to Raiders' original, true cinematic vision. I'll hold onto the DVD until a blu-ray is done properly, at which point the proper blu-ray disc will assume its rightful place on the throne of its slot in this blu-ray set, replacing this blu-ray disc, which will go in the trash. I have to give the visual transfer of Raiders on blu-ray only a 3 out of 5 stars.The Sound (Raiders):Some sound-FX and dialogue are crystal clear, with some new effects added, like dripping water in the South American temple and some new "pfew!" sound-FX of the poison darts spitting at Indy when he removes the Idol from its pedestal and flees as all hell breaks loose (YES! Thanks, Ben Burtt!), others less than stellar, a bit muted, and, like the Jaws transfer for blu-ray, sound mixers added that extra reverb to John Williams' classic score...broadened the spaciousness and cavernousness of the music, but the music now lacks the definition and clarity of the highs found on previous releases. Sounds like the London Symphony Orchestra is performing at a ball game. Enveloping, and yet lacking definition. Disappointing. I have to give the sound of Raiders a 4 out of 5 stars.Now, onto Temple and Crusade...The picture:I'm only guessing here, and could be wrong, but it looks like these ARE the earlier, and excellent 2003 Lowry digital transfers done for the DVDs, now shown in their native high-res format, instead of being down-rezzed by the picture-quality limitations of DVD. They look great! The color red is more prevalent on the blu-rays of Temple and Crusade than on their corresponding DVDs, which is especially useful, and wonderful, inside the Temple of Doom, with all the red presumably coming from fiery volcanic fissures. This is a masterwork of film lighting from the late, great cinematographer Douglas Sloccombe, and is presented here gorgeously. Bravo!The sound:It has some nice new discreet directionality in the rear surrounds, which is especially evident in Crusade, when the Messerchmidts are chasing Indy and his dad. And John Williams' scores have never sounded better!Kingdom of the Crystal Skull:Picture quality seems to be the same as the previous blu-ray, which already looked quite good, faithful to Skull's theatrical release. The main difference here is the sound has been updated to DTS-HD, adding more depth to the soundtrack.The extras from the DVD set are all here, with some new additions:On Set With Raiders of the Lost Ark, which I found particularly rivetting, about the increasingly lost, dying art of on-set live action production. It shows the miracle of what was accomplished in-camera, with very little reliance on post-production, until we get to the opening of the Ark of the Covenant, with director Steven Spielberg saying how hard it is to explain to actors something that they can't see, and won't be there until post-production visual FX are completed. What I found most captivating about watching this footage is it shows just how tireless Steven Spielberg is. He really deserves all the money and credit he gets, because he works very hard. And he clearly LOVES what he is doing, making movies!The original 1981 featurette, The Making of Raiders of the Lost ArkThe Melting Head, showcasing a modern reenactment of what was required to make Toht's head melt.Indy's Women, showing a recent AFI interview with all three leading ladies in the classic trilogy, Karen Allen from Raiders, Kate Capshaw from Temple and Allison Doody from Crusade, talking about their characters and the experience of working on a tough, physical movie.and probably one or two features I left out. It's a schmorgasbord. Enjoy!

Reviewer: Carolyn Beebout
Rating: 5.0 out of 5 stars
Title: Indiana Jones collection
Review: We have all the Star Wars with Harrison Ford in it. We wanted the collection of Indiana Jones. We love these movies.

Reviewer: Raúl Alejandro Estrada
Rating: 5.0 out of 5 stars
Title:
Review: Paquete con 5 discos todos con una muy buena calidad de video. El cover está curiosos. Pero el diseño de libro es compacto y ligero. Gran regalo o regalo a ti mismo.

Reviewer: Tiburon lobo
Rating: 1.0 out of 5 stars
Title:
Review: Lo devolví no cumple lo que dice

Reviewer: Pierre Gauthier
Rating: 5.0 out of 5 stars
Title:
Review: This set of 5 DVDs includes each of the four movies in the Indiana Jones series, beautifully rendered on Blu-ray, as well as a plethora of bonuses.Here are brief comments on each film.Raiders of the Lost Ark (1981)The series’ first instalment has aged very well, possibly in part because its plot was set some fifty years before its release. The action is still strikingly intense, locations (Nepal, Egypt, USA) are exotic and diversified and there are honest attempts at achieving a consistent plot and making significant historical connections. A generous helping of humour, including self-mockery, is the icing on the cake. Special effects do appear a little quaint by today’s standards but are still effective.The Temple of Doom (1984)This second film is energized with many new characters, including children. Locations (Shanghai and rural India) are exciting and the budget, no doubt, was larger than for “Raiders”. Indeed, there are countless extras, highly developed action scenes and even a large-scale 1930’s style dance number. If anything, humour is even more abundant.The Last Crusade (1989)This third movie adds depth to main character, starting with a flashback to his teen-age years and, yet more significantly, by having his father, played by Sean Connery, share his adventures throughout most of the film.Once again, humour is pervasive, as well as references to former movies, including by Connery.The Kingdom of the Crystal Skull (2008)This fourth film was made some 19 years later, with Harrison Ford in the lead role then at 64 years old, older in fact than Sean Connery in “The Last Crusade”. Ford, though, still radiates with dynamism and his character appears as energetic as ever.Many may find however that the character played by Shia La Beouf is aggravating rather than funny or charming. In fact, his inspiration for his 1950’s character seems based on Happy Day’s “Fonzie” rather than on anything truly from the era.Some viewers may judge this film to be somewhat of a knockoff of the previous ones, given technological advances over the intervening period, notably regarding CGI. Also, many members of the original filmmaking team as well secondary actors sadly passed away in the meantime. Worse, the whole movie was shot in the USA, with for instance Hawaii as a questionable stand-in for the Amazon.Bonuses to the set are abundant and enlightening, despite some repetitions. They include an overview of the series’ impact, a “Making of” for each of the four movies (actually two for “Raiders”) as well as thematic discussions on music, special effects, locations, etc.Regarding the team, striking elements by today’s expectations are the limited role of women (who appear almost only as actresses and scriptwriters) and, I believe, the total absence of African Americans. Chances are that the situation will be different for the fifth movie, currently scheduled to be released in 2023!

Reviewer: Wim
Rating: 5.0 out of 5 stars
Title:
Review: Met Nederlandse ondertiteling!

Reviewer: NAO
Rating: 5.0 out of 5 stars
Title:
Review: 好きな映画は高画質でと思い購入しました。画面に集中でき良かったです。