2024 the best books of 2022 review


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WINNER OF THE PULITZER PRIZE FOR FICTION

ONE OF THE NEW YORK TIMES’S 100 BEST BOOKS OF THE 21ST CENTURY

A NEW YORK TIMES BESTSELLER
ONE OF BARACK OBAMA'S FAVORITE BOOKS OF 2022
LONGLISTED FOR THE 2022 BOOKER PRIZE

“Buzzy and enthralling . . . A glorious novel about empires and erasures, husbands and wives, staggering fortunes and unspeakable misery . . . Fun as hell to read.” —Oprah Daily

"A genre-bending, time-skipping story about New York City’s elite in the roaring ’20s and Great Depression." —Vanity Fair

“A riveting story of class, capitalism, and greed.” —Esquire

"Exhilarating.” —New York Times

Even through the roar and effervescence of the 1920s, everyone in New York has heard of Benjamin and Helen Rask. He is a legendary Wall Street tycoon; she is the daughter of eccentric aristocrats. Together, they have risen to the very top of a world of seemingly endless wealth—all as a decade of excess and speculation draws to an end. But at what cost have they acquired their immense fortune? This is the mystery at the center of Bonds, a successful 1937 novel that all of New York seems to have read. Yet there are other versions of this tale of privilege and deceit.
    Hernan Diaz’s TRUST elegantly puts these competing narratives into conversation with one another—and in tension with the perspective of one woman bent on disentangling fact from fiction. The result is a novel that spans over a century and becomes more exhilarating with each new revelation.
    At once an immersive story and a brilliant literary puzzle, TRUST engages the reader in a quest for the truth while confronting the deceptions that often live at the heart of personal relationships, the reality-warping force of capital, and the ease with which power can manipulate facts.

From the Publisher

Winner of the Pulitzer Prize for Fiction. TRUST By Hernan DiazWinner of the Pulitzer Prize for Fiction. TRUST By Hernan Diaz

A banner for TRUST by Hernan Diaz. It says: A New York Times Bestseller in white fontA banner for TRUST by Hernan Diaz. It says: A New York Times Bestseller in white font

“Hernan Diaz is a narrative genius...What a radiant, profound and moving novel.” — Lauren Groff“Hernan Diaz is a narrative genius...What a radiant, profound and moving novel.” — Lauren Groff

One of Barack Obama's favorite books of 2022One of Barack Obama's favorite books of 2022

“TRUST speaks to matters of the most urgent significance to the present day.” — Sigrid Nunez“TRUST speaks to matters of the most urgent significance to the present day.” — Sigrid Nunez

Publisher ‏ : ‎ Riverhead Books (May 2, 2023)
Language ‏ : ‎ English
Paperback ‏ : ‎ 416 pages
ISBN-10 ‏ : ‎ 0593420322
ISBN-13 ‏ : ‎ 978-0593420324
Item Weight ‏ : ‎ 11.2 ounces
Dimensions ‏ : ‎ 5.1 x 1.05 x 7.97 inches
Reviewer: robin friedman
Rating: 5.0 out of 5 stars
Title: Storytelling On Wall Street
Review: Herman Diaz's 2023 Pulitzer Prize winning novel "Trust" absorbed me from beginning to end. For several days, I was captivated -- couldn't wait to get to it. This is a rarity for me. "Trust" is largely set in the financial district of New York City in the years surrounding the Great Depression.Here is a bare-bones summary of the story. The main character is a financier and trader, Andrew Bevel, the latest, and last, of a line of traders in his family. The reclusive Bevel amasses a large fortune during the 1920s and also manages to make money during the early stages of the Depression. Bevel's wife, Mildred, is the daughter of another New York State family with wealth and with intellectual interests. While Bevel concentrates on making his fortune, Mildred promotes educational, artistic, and cultural endeavors, particularly the development of 20th Century classical music. When Mildred dies in a Swiss sanatorium, in the 1930s, Bevel carries on but is somewhat less successful than in the days with his wife. After Bevel's death and lengthy wrangling over his estate, his palatial New York City home is turned into a museum.As is pointed out through "Trust", American literature has many works about New York City, the wealthy classes, the financial markets, and the nature of capitalism. This novel brings to it subject a strong sense of perspectivism. Bevel's story is told in four voices by four individuals, each with their own distinct voice and background. Each story has commonalities, but each is also different in terms of what happened and in terms of human relationships. The reader is left to think through the stories to come to an understanding of events and people. Showing and considering different points of view is integral to the humanities, whether history, literature, or philosophy, and to this novel. "Trust" considers city life, capitalism and greed, the arts, marriage, the relationship between imagination and realism, and more within its complex structure. It is challenging and mostly effective.Each of the four storytellers are fascinating both as writers and as themselves. The first, Harold Vanner, was a minor novelist of the day who wrote a heavily fictionalized novella about the Bevels titled "Bonds". It was fascinating to get hints about Vanner through the book and to read his account. The second part, "My Life" was written by Andrew Bevel himself, with help, and tells his story from his perspective and to rebut Vanner's book.The third and longest story is "A Memoir, Remembered" by Ida Partenza. She tells her tale from the standpoint of a 70 year old successful author. Partenza had been raised in poverty in Brooklyn by her father, an anarchist. At the age of 23, Bevel had hired her to help write his Autobiography. Partenza discusses her life with her father, how she came to be hired by Bevel, and how she became fascinated by the writing project and shaped it to her own as well as to Bevel's ends. The final section of the book, "Futures" consists of diary entries by Midred during her time in the Swiss sanatorium just before her death. Midred has a different perspective on the story and on her relationship with Bevel than do the other three storytellers.The reader will be encouraged to think about the world of financial trusts and about whom to trust among the four narrators, with their differing aims and perspectives. In his "Phaedrus", Plato has Socrates say that the written word can be revealing but also narrowing in its fixity.With the many earlier literary antecedents to Diaz's novel, I was reminded most of "Martin Dressler: The Tale of an American Dreamer" by Steven Millhauser which won the 1997 Pulitzer Prize for fiction. Martin Dressler is an American entrepreneur who, unlike Bevel was born to modest means. Dressler reaches the American dream of riches in New York City by founding a series of hotels before his businesses and his personal life come crashing down on his head. The story is a mix of realism and surrealism which captured something of the themes and locations of "Trust" in its own way. Unfortunately "Martin Dressler" has fallen into neglect. It deserves to be read both in it own right and as another voice on the themes of "Trust"."Trust" is a challenging, provocative novel about an aspect of the American dream and the American experience.Robin Friedman

Reviewer: Jjspina
Rating: 4.0 out of 5 stars
Title: An unusual and confusing book!
Review: Trust is an unusual story told in three parts with different voices and narratives and characters. At the end of the first part there were notes as if this story was incomplete and just being developed. I found this strange. The story told of a husband and wife who were affluent in society but not social. They kept to themselves as the husband worked the stock market to accrue more wealth as his wife was a lover of music and philanthropy. Their marriage was an odd partnership with each doing what they loved to do without disturbing the other one and passing like ships in the night occasionally.I moved on to the next part and it began with a chapter one again, making it even weirder. I did not know what to make of this Pulitzer Prize winning book. I have to admit I did not want to continue since I was not sure of what I was reading. It didn’t quite come together yet.The second part was told by a man who was a prominent, affluent man who was all about making money in the stock market and how upset he was over a book that was written about his wife and him. He wanted to do all he could to stop the printing and selling of this egregious book.The third part was another voice - the voice of a woman who became this prominent man’s secretary. He hired her to write his memoirs and correct what the other book had misconstrued about his life and that of his wife’s.I found this book to be tedious at times with all the confusion that set in going from one voice to another. The writing differed greatly from each narrative. I could not give it five stars even if it was a Pulitzer Prize winner.

Reviewer: PJC
Rating: 3.0 out of 5 stars
Title: Competent writing with a modest, predictable take on a now-common literary conceit
Review: It will come as no surprise to anyone who has gotten to my review that this book consists of the story of a financially powerful couple told from four perspectives. If you didn't know that, you would figure it out a few pages into the second version of the story. If you're particularly surprised by the fourth and final story, then you should reread the title of the book, which might be retitled "Always Mistrust." Mr. Diaz is a good enough writer that I don't begrudge myself the time spent reading the book, but I found nothing lyrical or passionately revealing or inspiring or innovative in his style. He's an okay storyteller, with characters I guess you can try earnestly to care about enough to deeply engage. Ultimately, I didn't come close to succeeding in that. The fourth version of the story is--by my estimation--the one that is supposed to produce the OMG-response, but I already knew something was coming and that it was going to reshape my view of the central characters and of everything I read before. To miss that going into that last section would be to ignore the previous three versions of the tale. And then, early in that final "diary" section, when we learn of previously trivialized mathematical skills and are given more to chew on about things like musical appreciation with a little Music 101 philosophizing (D F# E A -> A E F# D), it's pretty easy to guess what's coming. That's okay (except to the extent that the diarist sneers at predictability as a mark of lesser minds).It's the way the great reveal happens that bothers me and makes me feel that this is a failed novel. In a diary that is terse, minimalist, merely suggestive, the diarist stops in a couple places to ham-handedly tell OMG counterstory (the one, I assume, most readers decide upon closing the book for the last time to TRUST, given its location in the text and the satisfaction that the final gotcha-putdown of an unsympathetic protagonist provides).The diarist claims that the jarringly different passages that explain exactly what what REALLY happened (in careful expository detail) gives her some relief from pain and discomfort, but it came across to me as a plot device that the author failed to pull off. If you're going to just explain the OMG to me this way, then I'd prefer you stick it in a final explanatory section (Section V: Guess What!) written by an all-knowing author-god-voice. Don't give me: "AM Ouch my back hurts PM Morph AM Powerpoint slide #1: my actual talents, part 1...(a)...slide #2: my pitiful spouse's inadequacies...(a)..."One thing that diary section succeeded in doing was to swap out my feelings about the two central characters. The one who had seemed cold and insensitive gained a sliver of humanity and a quarter teaspoon of sympathy from me. The diarist, who rejoiced in bragging about personal superiority and absolute condescension toward a befuddled, largely incompetent other, lost any positive regard (already at very low simmer) that I had developed in the previous three versions of the story.Maybe that's the point. Don't trust anything you have just spent an entire book reading, including the final section. But if that's the take-away, why should wish to learn more about these people I was misled about? Surely, a good story should leave you with some appetite for more...for something truthier and give-a-damn-ier. These are people I never really cared about. Rather than becoming multidimensional by the retelling of the story, they were one-dimensional four times over. I don't like them (any of them, except maybe the champagne-toting butler: "Two glasses? Very good, sir."). I don't trust them. I feel no regret that they have disappeared into the dustbin of fictional time.

Reviewer: Jey
Rating: 5.0 out of 5 stars
Title:
Review: It is a well written and intuitive book and well worth the read.

Reviewer: David Roman T.
Rating: 5.0 out of 5 stars
Title:
Review: Interesting and amazing at the same time.I decided to read the english version and the prose was superb.Once you finish reading, it is obvious why Hernan Diaz won the Pulitzer Price!

Reviewer: Sabine F.
Rating: 5.0 out of 5 stars
Title:
Review: Ein tolles Buch, dessen Wirkung sich erst am Ende voll entfaltet, denn die vier verschieden Perspektiven lassen jeweils andere Aspekte der zwei Hauptgestalten erscheinen, weshalb ein sehr komplexes Bild entsteht. Wer alle Puzzleteile am Ende zusammensetzt, wird überrascht sein. Unbedingt zu empfehlen! Ein Leserlebnis!

Reviewer: philip cahill
Rating: 5.0 out of 5 stars
Title:
Review: The various parts of this book are written in different styles. The authorial voice changes completely—an incredibly skilful piece of work.

Reviewer: Janie U
Rating: 5.0 out of 5 stars
Title:
Review: I was attracted to this book by the promise of an intriguing story told in an unusual structure. We are told that there are "competing" versions of events which will challenge the concept of an unreliable narrator. At least three of these accounts will be untrue or maybe even all of them.The book was first published in 2022. It has 402 pages split into 4 parts - each with a separate chapters structure that promises complexity.At first glance the book seems to be 4 novellas linked together but it is so much more than that.I adored the style of writing from the first page. The vocabulary is wide ranging and the sentences are often lyrical - I found myself often slowing down to read in order to savour the writing.The descriptions are gorgeous and I loved that the author took time to explore contrasts in all areas - nature and emotions are two obvious examples.Benjamin Rask is the main subject for the first part - I was completely invested in him and was enjoying his journey so felt quite disturbed when his story came to an abrupt end and the author moved onto the second part.Several times I thought I was starting to understand the connections/structure/message but the author was just playing with me and there are plenty of complications added to catch me off guard. The changes of style and narrator were expected but the changes in structure were a surprise.I have a huge admiration for the planning of this novel and I found myself with no other option than to keep engaged.After reading Andrew's account I knew there was more to come but, again, was caught by surprise with the way that the plot turned.The title is Trust but I think the novel is more about money and the fictional concepts created within the world of finance.Herman Diaz explores how true stories can be fictionalised and the impact that then has on the real people. Of course, here the "novel" inside is based on the author's own fictional creation - this adds extra layers and allows for a deep analysis

Customers say

Customers find the story quality great, fascinating, and carefully weaved. They describe the book as an interesting, well-worth their time read. Readers also find the insight insightful, intellectual, and compelling. However, some find the pacing repetitive, uninspired, and thin. Opinions are mixed on the writing quality, with some finding it well-written and talented, while others say it differs greatly from each narrative.

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